segunda-feira, abril 30, 2007

Doppelganger!
Incredible true cases of exact doubles who appear often as a forecast of death or disaster, and remarkable stories of people who can be in two places at the same time.

(Corto Maltese na sua aventura da Casa Dourada de Samarcanda conta que a mãe lhe havia dito que conhecer o sósia é sinal de azar)


Do you have an exact double somewhere in the world? Can a person be in two places at once? There are many intriguing accounts throughout history of people who claim to have either encountered apparitions of themselves - their doppelgangers - or have experienced the phenomenon of bilocation, being in two separate locations at the very same time.

"Doppelganger" is German for "double walker" - a shadow self that is thought to accompany every person. Traditionally, it is said that only the owner of the doppelganger can see this phantom self, and that it can be a harbinger of death. Occasionally, however, a doppelganger can be seen by a person's friends or family, resulting in quite a bit of confusion.

In instances of bilocation, a person can either spontaneously or willingly project his or her double, known as a "wraith," to a remote location. This double is indistinguishable from the real person and can interact with others just as the real person would.

Emilie Sagée

One of the most fascinating reports of a doppelganger comes from American writer Robert Dale Owen who was told the story by Julie von Güldenstubbe, the second daughter of the Baron von Güldenstubbe. In 1845, when von Güldenstubbe was 13, she attended Pensionat von Neuwelcke, an exclusive girl's school near Wolmar in what is now Latvia. One of her teachers was a 32-year-old French woman named Emilie Sagée. And although the school's administration was quite pleased with Sagée's performance, she soon became the object of rumor and odd speculation. Sagée, it seemed, had a double that would appear and disappear in full view of the students.

In the middle of class one day, while Sagée was writing on the blackboard, her exact double appeared beside her. The doppelganger precisely copied the teacher's every move as she wrote, except that it did not hold any chalk. The event was witnessed by 13 students in the classroom. A similar incident was reported at dinner one evening when Sagée's doppelganger was seen standing behind her, mimicking the movements of her eating, although it held no utensils.

The doppelganger did not always echo her movements, however. On several occasions, Sagée would be seen in one part of the school when it was known that she was in another at that time. The most astonishing instance of this took place in full view of the entire student body of 42 students on a summer day in 1846. The girls were all assembled in the school hall for their sewing and embroidery lessons. As they sat at the long tables working, they could clearly see Sagée in the school's garden gathering flowers. Another teacher was supervising the children. When this teacher left the room to talk to the headmistress, Sagée's doppelganger appeared in her chair - while the real Sagée could still be seen in the garden. The students noted that Sagée's movements in the garden looked tired while the doppelganger sat motionless. Two brave girls approached the phantom and tried to touch it, but felt an odd resistance in the air surrounding it. One girl actually stepped between the teacher's chair and the table, passing right through the apparition, which remained motionless. It then slowly vanished.

Sagée claimed never to have seen the doppelganger herself, but said that whenever it was said to appear, she felt drained and fatigued. Her physical color even seemed to pale at those times.

Famous Doppelgangers

There have been many cases of doppelgangers appearing to well-known figures:

  • Guy de Maupassant, the French novelist and short story writer, claimed to have been haunted by his doppelganger near the end of his life. On one occasion, he said, this double entered his room, took a seat opposite him and began to dictate what de Maupassant was writing. He wrote about this experience in his short story "Lui."
  • John Donne, the 16th century English poet whose work often touched on the metaphysical, was visited by a doppelganger while he was in Paris - not his, but his wife's. She appeared to him holding a newborn baby. Donne's wife was pregnant at the time, but the apparition was a portent of great sadness. At the same moment that the doppelganger appeared, his wife had given birth to a stillborn child.
  • Percy Bysshe Shelley, still considered one of the greatest poets of the English language, encountered his doppelganger in Italy. The phantom silently pointed toward the Mediterranean Sea. Not long after, and shortly before his 30th birthday in 1822, Shelley died in a sailing accident - drowned in the Mediterranean Sea.
  • Queen Elizabeth I of England was shocked to see her doppelganger laid out on her bed. The queen died shortly thereafter.
  • In a case that suggests that doppelgangers might have something to do with time or dimensional shifts, Johann Wolfgang von Goethe, the 18th century German poet, confronted his doppelganger while riding on the road to Drusenheim. Riding toward him was his exact double, but wearing a gray suit trimmed in gold. Eight years later, von Goethe was again traveling on the same road, but in the opposite direction. He then realized he was wearing the very gray suit trimmed in gold that he had seen on his double eight years earlier! Had von Goethe seen his future self?

sábado, abril 28, 2007

Dixie Boys - Banda Rockabilly do Porto

quarta-feira, abril 25, 2007

25 de Abril sempre

Escrevo este post depois de digitar "Horror Surf" no last.fm como tag. Porque? porque posso, porque tenho liberdade para o fazer. A liberdade e tao simples como isto, ter vontade e poder faze-lo; ou entao mesmo a hipotese que eu tanto gosto: nao fazer nada, porque nao me apetece fazer nada. Enfim, sera assim tao dificil explicar aos Putos de hoje a importancia do 25 de Abril?

Segundo "bitaite". Ontem vi: Ma mere. Como diria um colega aqui desta tribuna, "been there, done that and have a t-shirt saying it". Mas deixa-me regalado ver filmes assim.

Outra e Mourinho, Jose Mourinho. No outro dia ouvi um estrangeiro dizer, "voces portugueses e que tem um embaixador de grande nivel: Jose Mourinho". Chocou-me, ja tinha pensado nessa possibilidade, mas chocou-me. E mais! confesso que tem logica: Linda de Suza nos anos 70, Jose Mourinho no novo milenio.

Rockabillys de Lisboa???
Não, são apenas meninos ricos de Lisboa que começaram por querer ser rockabillys e já vão nos anos 20 e 30 do século passado...
Tenho a certeza que ainda os hei-de ouvir dizer; Viena 1783, isso é que era som (o que não seria mentira) ou, festas a relembrar aqueles navios negreiros do comércio triangular (blues como origem do Rock 'n' Roll) - dresscode: grilhetas, marcas de chicote nas costas- Por favor estejam doentes com maleitas relacionadas com o tema, etc...


DRESSCODE: Lady-is-a-tramp / Cabaret & Vaudeville Look / Burlesque Dancer / Old Hollywood Diva / Pimps & Nightgirls / Gangster / vintage Sailors Uniforms / Please be GLAMOROUS! (Humor)

Music: Crime Lounge Grooves / Obscure 30´s Jazz / Boogie Jump / 40´s Hot Swing / Hepcat Rhythm n´Blues / Sinful Rock n’ Roll / Voodoo Tiki Beats / Erotic Exótica / Mambo Bop / Vegas Strip Beat / 60’s Surf / Portuguese Yé Yé / Radio Days National Songs


CAIS SODRÉ CABARET! pretende ser uma celebração dos tempos em que os homens usavam chapéu e as senhoras calçavam luvas… ...uma celebração do estilo e glamour de outras épocas. Nos anos 20 e 30 haviam bastantes clubes e cafés que abrigavam as tertúlias de escritores, artistas e intelectuais. Com a chegada da ditadura e a instituição da mentalidade “orgulhosamente sós”, o país hibernou face às novidades durante cerca de 40 anos. Os ventos que sopravam lá fora chegavam indirectamente ou de modo ilícito. Galãs e divas de Hollywood ostentavam o seu charme e lançavam modas nas sessões domingueiras dos grandes cinemas lisboetas; estrelas do burlesco enchiam magazines estrangeiras; as coristas actuavam em revistas do Parque Mayer copiando as tendências de vaudeville da Broadway e os clubes e cabarets (como o lendário Maxime) acolhiam aves nocturnas e os espíritos marginais. Pretende-se recriar todo um imaginário retro associado à vida nocturna, à festa e à celebração da boémia e do prazer. Música, dança, fumo e bebida. Mas também o imaginário nocturno e decadente do Cais do Sodré. Foi na sordidez desse ambiente de becos e esquinas sujos, iluminados por neons que anunciam bares com nome de capitais portuárias, por onde se passeiam raparigas e os seus protectores, polícias e estivadores, e a clientela ávida de emoções, que os marinheiros nos fizeram chegar os primeiros discos de rock n’ roll americano. Todos estes espíritos são convocados!

Termino este post com uma "quote" do Platoon - "Shiiit, you gotta be rich in the first place to think like that."

P.S. - Para quem quiser ver a decadência dos becos e ruelas do cais do sodré (não me estou a rir(quem é que eu quero enganar, claro que me estou a rir )) aqui fica a morada deste excelente trabalho de época

http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=172617631

domingo, abril 22, 2007

Rúbrica "Eu me confesso"

Será que ainda vêm dar um pezinho de dança a Londres?



Etiquetas:

sábado, abril 21, 2007

Já que estava com o bloco aberto...

sexta-feira, abril 20, 2007

Já algum tempo que andava para fazer um cartoon sobre isto... aqui está ele:



From
April 17, 2005

Ratzinger was enrolled in an anti-aircraft unit that protected a BMW factory making aircraft engines. The workforce included slaves from Dachau concentration camp.

Ratzinger has insisted he never took part in combat or fired a shotadding that his gun was not even loaded — because of a badly infected finger. He was sent to Hungary, where he set up tank traps and saw Jews being herded to death camps. He deserted in April 1944 and spent a few weeks in a prisoner of war camp.

He has since said that although he was opposed to the Nazi regime, any open resistance would have been futile — comments echoed this weekend by his elder brother Georg, a retired priest ordained along with the cardinal in 1951.

“Resistance was truly impossible,” Georg Ratzinger said. “Before we were conscripted, one of our teachers said we should fight and become heroic Nazis and another told us not to worry as only one soldier in a thousand was killed. But neither of us ever used a rifle against the enemy.”

Some locals in Traunstein, like Elizabeth Lohner, 84, whose brother-in-law was sent to Dachau as a conscientious objector, dismiss such suggestions. “It was possible to resist, and those people set an example for others,” she said. “The Ratzingers were young and had made a different choice.”


Ratzinger probably “deserted” the Wermacht for the same reasons many other German soldiers did near the end of the war: they were losing and, rather than being killed or captured by the Russians (basically same thing), they deserted and gave themselves up to one of the non-Communist Allied forces. Being captured by the Russians would, for a devout Catholic like Ratzinger, be the equivalent of falling into the hands of the Devil.

"Redneck Woman"
(Gretchen Wilson)

(click to follow the hyperlink)

Well, I ain't never been the Barbie doll type
No, I can't swig that sweet Champagne, I'd rather drink beer all night
In a tavern or in a honky tonk or on a four-wheel drive tailgate
I've got posters on my wall of Skynyrd, Kid and Strait
Some people look down on me, but I don't give a rip
I'll stand barefooted in my own front yard with a baby on my hip
'Cause I'm a redneck woman
I ain't no high class broad
I'm just a product of my raising
I say, 'hey ya'll' and 'yee-haw'
And I keep my Christmas lights on
On my front porch all year long
And I know all the words to every Charlie Daniels song
So here's to all my sisters out there keeping it country
Let me get a big 'hell yeah' from the redneck girls like me, hell yeah
Victoria's Secret, well their stuff's real nice
But I can buy the same damn thing on a Wal-Mart shelf half price
And still look sexy, just as sexy as those models on TV
No, I don't need no designer tag to make my man want me
Well, you might think I'm trashy, a little too hardcore
But in my neck of the woods I'm just the girl next door
I'm a redneck woman
I ain't no high class broad
I'm just a product of my raising
I say, 'hey y'all' and 'yee-haw'
And I keep my Christmas lights on
On my front porch all year long
And I know all the words to every Tanya Tucker song
So here's to all my sisters out there keeping it country
Let me get a big 'hell yeah' from the redneck girls like me, hell yeah
Hey, I'm a redneck woman
And I ain't no high class broad
I'm just a product of my raising
And I say, 'hey y'all' and 'yee-haw'
And I keep my Christmas lights on
On my front porch all year long
And I know all the words to every ol' Bocephus song
So here's to all my sisters out there keeping it country
Let me get a big 'hell yeah' from the redneck girls like me, hell yeah
Hell yeah, hell yeah
Hell yeah
I said hell yeah!

U.S. presidential candidates: Now on MySpace

March 18th, 2007, filed by Kenneth Li

MySpace launched its politics channel this weekend, featuring the profiles of 10 U.S. presidential hopefuls — five Democrats and five Republicans — aiming to speak to the notoriously hard-to-reach young voter. MySpace tells us that some 86 percent of MySpace users are of voting age, according to comScore Media Metrix.

What you see today is the beginning of a series of “large-scale” online and offline political programming that will continue through the 2008 election.

Here’s what you’ll find on MySpace’s Impact Channel:

* A voter registration tool (powered by Declare Yourself)
* links to profiles
* Impact-related events
* Non-profit job listings
* Viral Videos
* MySpace’s first viral fundraising tool, shareable throughout the network
* customizable badges (HTML)

Some factoids found on their MySpace pages:

John McCain
* “Join McCain basketball bracket” is top blog entry
* Favorite TV show is “24”

Barack Obama
* His “display name” is updated to announce upcoming speaking engagements
* Has a dedicated moderator and moderator contact for his MySpace page (obamaonmyspace@gmail.com)

John Edwards
* “John’s pals” section highlights MySpace users who made their default profile picture one of them with Edwards. There are 40 profiles currently highlighted in this section.
* Wife Elizabeth has a MySpace profile. She is his top friend
* Has also started a group on MySpace so users can communicate about issues and events.

Dennis Kucinich
* Has speeches uploaded to MySpace music and posted on his profile as audio
* Features a video made by a volunteer/supporter on his page
* Wife is among top friends

quarta-feira, abril 18, 2007

Um post em três actos

Grego claustrofóbico: No meu regresso ao escritório (sem dúvida alguma office soa mais profissional e elegante (não é porquito?(é tb este utilizar a merda dos parênteses em série(como tu tanto gostas de fazer (mas neste caso calha bem para a estória que vou contar (já agora, vou por um ponto final nesta *****)))))). Ora bem, no meu regresso ao trabalho e à convivência com a comunidade grega ouvi uma estória engraçada; um colega grego, para o seu regresso a londres, resolveu viajar pela companhia aérea Olympic Airline. Como bons mediterraneos trabalhadores, após o check-in levou com uma bofetada de meia-hora de atraso, seria até coisa normal segundo ele. O pior passou-se quando o avião estava a entrar na pista para levantar voo, um "meco" resolveu desatar a gritar "sou claustrofóbico, quero sair do avião"... entre tirar a bagagem do helénico e mais umas pesquisas com cães para averiguar eventuais bombas (cá para mim devia ter ar de Turco) atrasou-se mais hora e meia. Acho que ainda se ouviu uns gritos em helénico "racha-lhe a cabeça que dorme que nem um anjinho até Londres".

Pink Floyd vs Sex Pistols: O engraçado na passagem de gerações (ok, vou deixar para o fim a discussão sobre gerações) é que olhamos para trás muitas vezes descontextualizados do "ambiente" da altura. No caso de música passa-se o mesmo, ontem estava a ver o filme antiguinho "24h party people" e lembrei-me do facto de no aparecimento dos sex pistols a juventude "rebelde" ter de negar a genialidade do Dark Side of the Moon, apenas porque os Floyd não eram punk. Existe para os brasileiros uma situação equivalente: Bossa Nova (João Gilberto, Chico Buarque) vs Tropicália, com o João Gilberto e companhia a virem anos mais tarde a trabalhar como o Chico e o João Gilberto. No filme, também é engraçado a referência ao enforcamento do Ian Curtis, e ao aparecimento da Madchester (musica disco & ecstasy) pela mão comum do manager dos Joy Division (Tony Wilson, mais um caso de vedetismo Britânico). Agora a discussão sobre as gerações: gerações... que se fod***! não existem gerações, existem pessoas. No outro dia estava a ler na Pública um artigo dum suposto jovem intelectual americano, do tipo cool (o mal dele acho que foi mesmo ter uma semelhança enorme ao Lenny Kravitz), em que se orgulhava de ser da geração "milenar", uma geração com muito menos preconceitos e bla bla bla... o que me irrita é que como interruptor de luz: pimba! a partir de agora somos milenares somos fixes, grrrrrrr.

Fúria Espanhola: Como só agora voltei a ter tempo ;), só agora vou falar sobre um episódio deveras interessante que se passou comigo em Vigo. Tem a haver com os hábitos de cortejamento entre pessoas do mesmo tipo. Num jantar em casa de um colega de trabalho (alemão) estavam algumas pessoas amigas dele, e uma rapariga que durante o dia foi tímida comigo durante o dia todo naquele jantar aproveitou a deixa da conversa resvalar para a política (suspeito que foi por eu ter apoiado a luta armada do Batasuna) para me olhar de frente e fazer um discurso de princípio ao fim quase de punho esquerdo levantado, no fim... corou e eu ri-me... para dentro, claro.

Agora que olhei para o título, mais um tema me surgiu: a frase correspondente ao título significa que o post foi escrito em três actos, referindo-se à acção de escrever ou pelo contrário reportava-se ao facto de o post ter sido escrito com três paragrafos distintos? a coisa ficaria mais simples se eu tivesse escrito Acto I, Acto II... mas deste modo a dúvida persiste, no meu entender. Agora, uma vez que escrevi este paragrafo, deixam de subsistir dúvidas qual a intenção (voluntária ou nem por isso) do título, contudo a própria adição de um paragrafo de discussão resonsável pela quebra do título seria talvez crime para o inspector Escher investigar.

Obrigado, e sempre podemos dizer entre nos, Teresianos, Ten Years After aqui estamos.

domingo, abril 15, 2007

Puta, só para ti... bom regresso ao "office"

sábado, abril 14, 2007



quinta-feira, abril 12, 2007





domingo, abril 08, 2007

Monty Python Live
at
the Hollywood Bowl - Philospher's Song

Não encontrei a letra... encontrei este receitário...



Thursday, December 08, 2005

7 Drinks of Mankind: Spirits



Wynonie Harris, Quiet Whiskey.
Jerry Lee Lewis, It Was the Whiskey Talkin' (Not Me).
Fats Domino, Whiskey Heaven.
Gene Simmons, Drinkin' Scotch.
The Modeps, Whiskey and Soda.
Norman Blake, Whiskey Deaf and Whiskey Blind.
Roscoe Holcomb, Moonshiner.
George Jones, White Lightning.
Blind Blake, Bootleg Rum Dum Blues.
Gwenn Foster and Clarence Ashley, Bay Rum Blues.
Bessie Smith, Me and My Gin.
Champion Jack Dupree, You've Been Drunk.
Nina Simone, Gin House Blues.
Snoop Dogg, Gin and Juice.
Tobin Sprout, Martini.
John Coltrane and Paul Quinichette, Vodka.
The Champs, Tequila.


A Prelude

"In Helena and Great Falls, we stayed at hotels, ordering gin from the bellboy to drink in our rooms. I like the gin quite well, mixed with lemon soda and ice. Nothing to write home about either, though on the drive up to Helena I had had an odd experience.

As usual, we had a bottle of moonshine with us when we started out and we passed it back and forth, as usual, while we drove along. The road was rough and once, when it was my turn, I spilled a few drops on my silk stockings. That night when we were changing for dinner I found little holes in my stockings everywhere the liquor had spattered. I showed them to the girls, who positively could not understand it...

We made jokes about it and kept the stockings for a trophy; yet the incident, so to speak, burned a hole in our minds. In Great Falls, Ruth suddenly decided that she did not like the looks of the bellboy who had brought us the gin. It tasted all right; it smelled all right; but Ruth remain suspicious...Ruth packed the bottle to take back to Madison Springs for analysis. It was wood alcohol, sure enough, Bob Berdan told us a few days later. If so, we should have been dead, since we had each had two or three ounces of it.

In fact, we felt no ill effects; perhaps the local moonshine had developed a tolerance in us – a tolerance not shared by my stockings. But the two incidents made us warier and tamer."


Mary McCarthy, Memories of a Catholic Girlhood.

Spirits, or When Drinking Gets Serious.

Distilling, the creation of spirits, is to beer and wine what calculus is to basic mathematics. Or to put it another way, but using another awkward math metaphor, spirits made drunkenness exponentially more powerful.

Songs about spirits--brandy, whiskey, gin, rum, vodka, tequila, and a few other deadlies--are plentiful, typically either celebrations of getting viciously, loopy drunk (like Wynonie Harris' "Quiet Whiskey") or miserable brown studies, dispirited and bleak. A song about gin or whiskey is meant to play quietly in the midst of someone's breakdown, or get blasted at a party where the cops are kicking in the door.

For the latter, here's a bit from the diary of Sussex merchant Thomas Turner, in the 1750s: "We continued drinking like horses and singing until many of us were very drunk, and then we went to dancing, and pulling wigs, caps and hats; and thus we continued in this manner, behaving more like mad people then they that profess the name of Christians."

Or listen to Wynonie Harris' "Quiet Whiskey", a swingin' morality tale about what happens when you take whiskey off the shelf. Both the Rev. Frost and Brian at Big Rock Candy Mountain selected this one. From 1953, and found here.



Waters of Life

Remember the drunk Sumerian farmer, our fictional beer pioneer? Let's trace his family lineage.

After almost 10,000 years, the farmer's descendants have spread throughout the Middle East, Asia and Europe. One, in 1480, is a grubby peasant living in the outskirts of Cologne.

Most of his life the peasant has lived on watery beer or, a few times at church or at weddings, some vinegary wine. Either way, while the drinks have been enough to rub away the rough edges of a typical day planting turnips, he's barely been drunk by modern standards. (The most that naturally fermented wine or beer can get is roughly 15% alcohol.)

Then news comes of a new, miracle drink--aqua vitae-- that can be obtained by a process called distilling. The one person in the peasant's village who can read obtains a pamphlet detailing the process. Some say diabolical monks have written it, or the French, or the Turks. Regardless, the directions are fairly simple, and soon, the educated man begin distilling stocks of small beer and spoiled communion wine.

Word about how to distill spreads around the village, until one night the peasant travels to a friend's crude hut to have a small cup of brannt wein, burned wine. Timidly, the peasant brings the cup up to his lips, and tastes--Blecch! Jesu! Like swallowing a hot canker. Another sip appears to ignite his lungs. Jesu! I can taste the smoke! Another apparently eats away his gums. He eventually faints, but since he often does this from hunger, no one pays him any mind.

The peasant passes away a few years later, found lying dead of hypothermia in his turnip plot. Before expiring, he recalls that evening as the pinnacle of his life.

So where did branntwein (brandy) come from? Take a step back.


Around the year 1000, there were many great civilizations in the world--the Sung Dynasty in China, the Heian era in Japan, the Mayans in Central America and the great pan-Islamic world, ranging from Al-Andalus (Spain) to Persia. Far back in line was the gruesome hellhole that was Western Europe--riven by endless petty wars, a technological and cultural backwater, routinely enduring famines, plagues, etc.

The Arabs, during this time, were experimenting with distilling, not really to see if they could get drunk faster (Islam, of course, forbids drinking alcohol) but to discover possible remedies. Distilling is basically vaporizing a liquid and then recondensing it, so as to separate a liquid into its constituent parts. Once considered near-miraculous, the process is now a staple endured by bored high school students (that is the fate of most things--Shakespeare, math, etc.)

The 8th Century Arab scholar Jabir ibn Hayyan, the world's first great chemist, routinely applied the distilling process to wine. Here's where things get interesting--when you heat wine, because alcohol has a lower boiling point, it turns to vapor before water does. And so if you then draw off this alcohol-rich vapor and condense it back into liquid, you get something far more alcoholic than wine. And if you keep re-vaporizing the wine and then re-condensing it--eventually you get some really good hootch.



As Europe began slowly reviving in the 12th and 13th centuries, the distilling process began making its way into cultural life, first as a miracle medicine, latterly as a way to get really, really drunk. By 1300, Arnald of Villanova, a French professor, was making grandoise claims for distilled wine, or, as it was called, aqua vitae--the water of life.

(A good chunk of this information comes from, of course, Tom Standage's A History of the World in Six Glasses, the inspiration for this series of posts.)

King: To-day it is our Pleasure to be drunk,
and this our Queen shall be as drunk as Us.

Queen: If the capacious Goblet overflow
with Arrack-Punch--'fore George! I'll see it out;
of Rum, or Brandy, I'll not taste a Drop.

King: Tho' Rack, in Punch, Eight Shillings be a Quart;
And Rum and Brandy be more than Six,
Rather than quarrel, you shall have your Will.

Henry Fielding, Tom Thumb, A Tragedy.

Uisge Beatha


The making of Exile on Main St., brought to you by whiskey and heroin.

"Bartender goes, gets the soda bottle. Squirt, squirt. A blast coming out of it. Whoops. The whiskey shot up the sides of the glass, splashing on the bar.

'Sorry sir.'
'Yes.'
'It's a new bottle.'
'Quite.'

Bartender puts away the bottle and comes back for the money. Stands embarassed in front of Dangerfield...the old men, sensing disaster, turning on their stools to watch.

'Two shillings.'...
'Half my whiskey is on the bar.'
'No trouble now.'
'Would you mind bringing me the bottle to replace the amount splashed in my face.'

J.P. Donleavy, The Gingerbread Man.

Whiskey, its name derived from the Gaelic uisge beatha (aqua vitae), is the classic spirit, at least in music. Lyrics devoted to either celebrating or cursing whiskey are innumerable, and that's just the country songs.

Whiskey (or whisky, depending on where it is distilled) is made by distilling grains, each type of grain leading to its own brand of whiskey (hence, rye whiskey, or malt whiskey (from 100% malted barley, etc.))

"There is nothing like whiskey in this world for presevering a man when he is dead...if you want to keep a dead man, put him in whiskey--if you want to kill a living man, put the whiskey into him."

Dr Guthrie, The Temperance Handbook.



"It Was the Whiskey Talkin' (Not Me)", offered by the Rev. Frost, was recorded in 1990, one of the best Lewis recordings of recent times. It first appeared, of all places, on the soundtrack to Warren Beatty's ill-fated take on Dick Tracy. You can find it on Young Blood (now out of print, it seems, but still cheap.)

The Rev. passes on this bit of information he found (written around the time of recording) about the track:

"The producer, Andy Paley, wrote the song with Jerry Lee in mind more than a decade ago when he was a staff writer for Warner Publishing and Jerry Lee was one of the rulers of country radio. For reasons too obscure and random to recount, the song was not then presented to the Killer. Now Paley is supervising one element of the soundtrack for a film version of the Dick Tracy comic strip, following director and star Warren Beatty's directive that the movie's music should reflect his version of what Chicago radio might have sounded like in the 1930s.

"It Was the Whiskey Talkin' (Not Me)" fits into that niche; it's a pleasant, if not spectacular, trot along the pep side of Bob Wills-style western swing. The blame-the-booze-not-the-boozer lyrics of the song are not particularly convincing, but they do appear custom-made for Jerry Lee's latter-day recording persona. "Think about it," he often says between takes, more as an ominous general warning than as a reference to anything specific.
"



Fats Domino's "Whiskey Heaven", a Big Rock offering, is from another soundtrack--that of 1980's Any Which Way You Can, a biker movie with Clint Eastwood and an orangutan. "Whiskey Heaven" can be found on a number of odd, cut-rate compilations, like this one.


Angry, drunk Beatles (Scotch & Coke men, all), w/Jayne Mansfield, 1964.

Gene Simmons' "Drinkin' Scotch", a Rev. contribution, is from 1956 and can be found on That'll Flat Git It!

The Modeps' "Whiskey and Soda" is also offered by the Rev., who describes it like so:
"The Modeps, a Jamaican popular group in the late sixties (the song
was recorded in 1967), has the place jumping with "Whiskey and soda". What a bass line! And a smashing harrow between alto sax and hammond organ!
" I think this band is referred to as "The Mopeds" sometimes--anyone know what's up, besides dyslexia on someone's part? Find it here.

Mountain Dew



"'Wheyski' was our only drink, as it was on the three days following. We managed however to make a tolerable towdy of it."

Marquis de Chastelleux, Travels (in this case, to backcountry Virginia), 1782.

You could argue whiskey is the United States' national drink. After all, one of the first things that occurred after George Washington became president was the Whiskey Rebellion, essentially a multi-state riot inspired, among other things, by excessive taxes on whiskey. (Americans have their priorities.)

By the mid-1700s, the American backcountry drink of choice--at times, the only drink--was whiskey. And a specific type: Scotch whiskey--that distilled from barley--was replaced by bourbon (from corn or rye), due to a change in popular crops. Everyone drank whiskey in an area like Kentucky or western Virginia; even children were served it at dinner, with a little sugar to sweeten it.

David Hackett Fischer: "Appalachia's idea of a moderate drinker was the mountain man who limited himself to a single quart at a sitting, explaining that more 'might fly to my head'."

And because whiskey could travel well--requiring no cooling, and hence no chance of spoiling--it became the standard drink of the Western U.S. during the 19th Century. The copious amount of whiskey drinking on "Deadwood", for example, is if anything,understated.

Naturally, Prohibition in the 1920s proved a bust with most Americans, who simply turned to bootleggers for their whiskey when the stores could no longer sell it. Moonshining has a long, storied life in the South. Roscoe Holcomb's a cappella version of the traditional ballad "Moonshiner" (or "Moonshine Blues") is from 1961; it's on The High Lonesome Sound. (This version is likely the one Bob Dylan used as a reference for his own take on the song a year later--Dylan was familiar with Holcomb's records.)

In George Jones' "White Lightning", from 1959, home distilling is a Southern family tradition. On Best Of.

And Blind Blake, from 1928, sings about his new bootlegger, who might be trying to kill him. While the song is called "Bootleg Rum Dum Blues", it's mainly about whiskey, as far as I can tell. On All the Published Sides.

And finally, here is an American epitaph: "Whiskey, dope and women done made a wreck of me." Norman Blake's "Whiskey Deaf and Whiskey Blind," a wonderful song (one a few blogs have put up), is from 1999, on Far Away, Down a Georgia Farm.

The Devil Be Done for The Rest

On 25 October 1599, Sir Edward Kennel, commander-in-chief of the English navy, offered to his ships' companies a monster punch which he had prepared in a vast marble basin. For his concoction he used 80 casks of brandy, 1,300 pounds of Lisbon sugar, 5 pounds of nutmeg and 300 biscuits, plus a great cask of Malaga.

A platform had been constructed over the basin to shelter it from the rain, and the serving was done by a ship's boy who sailed on this sea of punch in a rosewood boat. To serve the 6,000 guests one ship's boy had to be replaced by another several times, each one finding himself intoxicated by the fumes from the lake of alcohol at the end of a quarter of an hour.


Larousse Gastronomique.




Of the spirits, rum has the most catastrophic history, entwined as it was with the growth of the trans-Atlantic slave trade.

Standage's book goes into detail to explain the origins of rum, short for Rumbullion, which began being produced in Barbados in the 1620s. The great sugar plantations, worked by slaves imported from Africa, were getting underway, and planters soon found they could siphon off the foam produced by boiling sugar cane juice and then distill it to make what was first called Kill-Devil, until it earned the slang name Rumbullion, a South English phrase for a violent commotion (a typical result of too much Rumbullion drinking.)

Rum soon became the grease of the slave trade--given to new slaves to "season" them for their horrific work conditions, and when the New England states began distilling rum themselves, used as a method of payment by slave traders for African slavers. (It became the favored drinks of sailors (mixed with water and lime to make grog) and pirates as well.)

Rum's slave trade roots remained visible in the 20th Century, as rum makers continued to print wildly racist ads. Below, the first shows a weary white woman being served rum by her happy-as-punch menial; the second is a sort of treble-Sambo rum fiesta:





Here is Gwenn Foster and Clarence Ashley's "Bay Rum Blues," in which the singer blames rum for a whole host of missteps. Foster occasionally played with the Carolina Tar Heels, and then made a series of "blues" records for ARC with Ashley in the '30s before vanishing into obscurity. This recording, from 1933, is one of my favorite tracks--both funny and bleak, and featuring some amazing harp playing by Foster.

"Roosevelt was wet
and Hoover was dry
Gimme Bay Rum
and let Hoover by."

I'm not sure what exactly Ashley is referring to when he sings about "the railer's chain"--a chain gang? A job on a railway line? Here's one guess. On Harmonica Blues.

What Magnified Monsters Encircle Therein!




Is there a more malicious drink than gin? Of the spirits, it is the most pitiless. Gin drinking is often referred to in songs as being a sin, a solitary sin best practiced in the dark--it is chaos, bottled misery, a glass of weakness.

Much of this stigma comes from the gin epidemic in England during the 18th Century. Much like the US crack wave of the 1980s, gin was embraced by a desperate underclass and killed a good many of them, while newspaper writers and public officials talked about how dreadful it all was.

It began after William III banned French imports in the 1690s, including brandy (a very popular spirit), while encouraging domestic distilling of cheap products like corn and grains. Out of this turn of events emerged gin (whose name comes from genever, the Dutch name for the juniper berries used to flavor it). Cheap and deadly, it soon became the poor's drink of choice. Bemoaning the public drunkenness and social disaster that gin drinking caused, the ruling class attempted to ban gin several times, only to be met with riots.

The salient image that remains from this period is Hogarth's Gin Lane, in which a mother is so drunk on gin that her infant is tumbling out of her arms:



And while the gin craze had abated by the 1750s, gin was still loathed by moralists for years to come. Here is a word-picture poem that appeared in Punch in 1843, which begins "Gin! Gin! A glass of Gin! What magnified monsters encircle therein!" (click on image to enlarge):



A century of gin songs:

"Any bootlegger sure is a pal of mine." That said, Bessie Smith didn't drink gin ("Bessie would say anything sealed made her sick"). "Me and My Gin", from 1928, is on Complete Recordings Vol. 4.

Champion Jack Dupree's "You've Been Drunk" finds Jack's woman showing up in the morning, stinking drunk, with foul breath, and "hair all nappy". It's the gin again. From 1945 (thanks to Big Rock for this masterpiece). On Rum Cola Blues.

Nina Simone's brilliant "Gin House Blues" is from 1961. On the Colpix Years.

and Snoop Dogg's "Gin and Juice", from 1993. Pure hedonism, and a good chunk of misogyny too. On Doggystyle.

Martinis



That said, gin remains a popular cocktail. Which do you prefer, a gin or vodka martini? Brian at Big Rock has a strong preference for gin martinis, to put it mildly. Let him explain:

"Anyway, Gin versus Vodka. It's real simple. There is no such thing as a Vodka Martini. If there is vodka involved, it's not a damn martini. A martini is gin, three olives, up. Dirty's ok, too, but you'll need to specify. One takes a bottle of vermouth, walks about five feet away from the martini glass, opens the bottle of vermouth, waves it in the general direction of the martini glass, then closes the bottle. Shaken or stirred is a matter of choice. That's a martini.

This vodka ridiculousness is a creation (conspiracy?) of the vodka bottling companies to sell more of their fruit and candy flavored bastardazations of vodka. There's nothing worse than a martini bar. You go in, and the menu of martini choices is a mile long, all containing flavored vodkas and other ridiculous concoctions. Nowhere on the menu do their fake martinis contain the slightest whiff of gin. These people are idiots, and the trendy morons who go to martini bars need to be locked away for crimes against alcohol.

Even bartenders have taken the bait. Every bar I go to, I ask the bartender what he would serve me if all I asked for a martini. Almost every response starts with, "Well, I'd ask you what kind of vodka you wanted in it." Shame. Shame Shame Shame on the once proud men and women representing the face and hands of our consumption.

I don't care if people want to drink fruity drink concoctions. That's their right. It's a good way to get sorority girls drunk. I know gin has fallen out of favour over the years (mother's milk 'n' all that). But just because it's in a martini glass, that does not make it a martini. If I poured orange juice into a beer stein, does that make it beer? You know the answer. If you know someone caught in the clutches of this evil vodka "martini" heresy, and intervention is in order. Make Dean Martin proud
."

Amen! Here's Odgen Nash, to further the point:

There is something about a Martini
a tingle most remarkably pleasant;
a yellow, a mellow Martini,
I wish that I had one at present.
There is something about a Martini,
Ere the dining and dancing begin,
and to tell you the truth,
it's not the vermouth--
I think that perhaps it's the gin.




That said, there is one strong advocate for the other side. James Bond's shaken-not-stirred martinis are vodka martinis (medium dry). Bond would not appreciate today's vodka martini, though, as often they are served with hardly any vermouth. In Live and Let Die, Solitaire attempts to make Bond's drink: "I hope I've made it right. Six to one sounds terribly strong."

Tobin Sprout (formerly of Guided by Voices) offers his instrumental take on martinis--found on 2003's Lost Planets and Phantom Voices. Get it on Luna Music or the regular corporate way.

Vodka and Tequila: the Antipodes



"Just fancy, they gave me drink, fed me! Such bread, it was exquisite! Délicieux! And the vodka, I never tasted any better. And they would not take a penny for anything. And they kept saying: ‘Excuse our homely ways.'

‘What should they take anything for? They were entertaining you, to be sure. Do you suppose they keep vodka for sale?’ said the soldier, succeeding at last in pulling the soaked boot off the blackened stocking.
"

Leo Tolstoy, Anna Karenina.

There is neither time nor space to really delve into other types of spirits, so let's just briefly touch on a pair of the most popular.



Vodka's central space in today's barroom is a far more recent development than you'd think--vodka was considered a strange indulgence of the Russians and Poles for centuries until the 1950s, when, at the height of the Cold War, ad executives decided to sell Americans on the drink of their alleged mortal enemies. It worked, partly because it fit the mood of the time--a flavorless, odorless spirit that could mix with all sorts of exotics.

From 1957, just when vodka was taking off, comes John Coltrane and Paul Quinichette's "Vodka". On Cattin' With...

First we had some whiskey,
then we drank some gin,
Then we drank tequila
and that's what did me in.


The Pogues, Boat Train.

And, of course, there's tequila, the longtime killer of college students and honeymooners venturing into Mexico. Made by distilling the agave plant, Tequila is a type of mezcal produced in the Mexican state of Jalisco, deriving its name from a town there.

"Tequila", by the Champs from 1958, is the classic tequila song, but there are tons of others. Find Tequila on one of many, many cheap compilations.



We're about halfway through our series now. Thanks again to Tom Standage, to Thomas and Brian (once more), to the Faber Book of Drink, Drinkers and Drinking (a source for lots of the quotes used).

Favorites?

Scotch: Dunhills.
Gin: Gordon's.
Rum: None. Makes me ill.
Vodka: Smirnoff.
Tequila: See rum.

Next: Time to sober up, people.

sexta-feira, abril 06, 2007

Meus senhores é do CARALHÃO!!!
Este Agustín Carlevaro... vejam... Fodassssssssssseeeeeeeeeee
Fica também o original para quem nao conhece... tipo a chico... educá-la não é fácil...

Agustín Carlevaro plays Piazzolla - Adiós Nonino



Astor Piazzolla - ADIOS NONINO (Live)

Astor Pantaleón Piazzolla (Mar del Plata, 11 de marzo de 1921 - Buenos Aires, 4 de julio de 1992), bandoneonísta y compositor argentino.



Astor Piazzolla é um dos homens da minha vida. Impulsionador do Novo Tango, foi um excepcional executante de bandoneón e um brilhante compositor que experimentou diversas áreas musicais e inspirou inúmeros músicos.
Adiós Nonino é, sem dúvida, o seu mais famoso tema, composto aquando da morte de seu pai, Vicente “Nonino” Piazzolla em 1959, a partir de uma melodia escrita algum tempo antes. Vinte anos depois, Piazzola diria “Talvez eu estivesse rodeado de anjos. Foi a mais bela melodia que escrevi e não sei se alguma vez farei melhor.”
Durante muito tempo recusou qualquer tentativa de colar palavras à sua obra-prima, mas um dia, já nos anos oitenta, a cantora argentina Eladia Blásquez apresentou-lhe uma versão com um poema que havia escrito, e ele, comovido, concordou. De referir que Eladia renunciou a quaisquer direitos autorais para não retirar dividendos da obra que nascera do génio do Mestre.


Piazzolla pedia “que se escute a minha obra em 2020. E em 3000 também…”Há dúvidas?

publicado por fgs @ 15:35

quarta-feira, abril 04, 2007

yippe Ki yay Mother Fucker - Novo die hard movie

terça-feira, abril 03, 2007

A caminho de Roma Antiga...
De manhã quando ia no aoutocarro, num banco por trás do meu, um ancião que estva a fazer tempo (fazendo o percurso do autocarro várias vezes), até chegar a hora da sua marcação no dentista, dizia para outro, depois da senhora que estava a seu lado ter saído, "é uma jóia de mulher", viúva de fulano tal... não tiveram filhos... está sozinha, é uma pena...coitada... rematou; "é a vida, andamos todos enganados!!!"
Ao que parece, a senhora era sua prima, o avô materno dele, que era o maior engatatão de coimbra, tinha sacado uma freira que fazia doces conventuais lá para os lados de "Santa Clara"e a sua nova avó (a primeira tinha falecido) era irmã da avó da senhora.

domingo, abril 01, 2007

Tom Sawyer episode 2 (1-3)


Tom Sawyer episode 2 (2-3)


Tom Sawyer episode 2 (3-3)

Doogie Howser, M.D

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